Through this intimate medium the narrator describes her three-month stay in an estate. The first entry details the circumstances under which she and her husband have come to the estate.
Jeffrey and Lonette Stayton Awards for Writing Charlotte Perkins Gilman had no way of knowing that a story she wrote in would one day be regarded as a classic in feminist literature.
Early readers were appreciative of the sheer horror of the tale, and, indeed, it still stands as a wonderful example of the Feminist reading of the yellow wallpaper.
As Gary Scharnhorst points out, this treatment originated with Dr. He could be viewed as the patriarchy itself, as Beverly Hume says, with his dismissal of all but the tangible and his constant condescension to his wife, but some critics have viewed this character as near-caricature Many of the passages concerning the husband can be interpreted as containing sarcasm, a great many contain irony, and several border on parody Johnson And he is also transformed at the end of the tale—in a reversal of traditional gothic roles—because it is he, not a female, who faints when confronted with madness Central to the story is the wallpaper itself.
Her obsession with the paper begins subtly and then consumes both the narrator and the story. The design begins to fascinate the narrator and she begins to see more than just the outer design.
Further, according to Bak, this new prison, as described by Michael Foucault in Discipline and Punishinvolved observance of prisoners at all times Bak goes on to suggest that the nursery room, with its barred windows and rings in the wall, was designed for the restraint of mental patients, but other critics assert that these were in fact common safety precautions used in Victorian nurseries and that such interpretations are extreme.
As the story progresses, the narrator identifies more and more with the figure in the wallpaper, until in one of the most controversial statements in the entire text she refers to herself in the third person.
Probably the most common interpretation of this line assumes Jane to be the previously unmentioned name of the narrator. With that in mind, we will assume for convenience sake that the name Jane does in fact refer to the narrator herself.
These statements ring true regarding Victorian sexuality; it was as immobile as the unmoving bedstead. A Victorian wife belonged to her husband and her body was his to do with whatever he pleased. In this context, the image of the nailed-down bed becomes perhaps the most understandable symbol in the entire story.
What of the narrator herself and her madness? The narrator is presented as an artist at least in a small way and a writer and it is through her writing, Johnson says, that her suppressed rage becomes apparent There is further justification in believing her madness to be temporary.
Almost all writings on the story have a alluded to this connection; some discuss it at length. Perhaps the comparison is inevitable, as Bertha Mason is probably the most well-known example of a gothic madwoman.
Greg Johnson says it is the anger, the boiling rage, of these alter egos that results in eventual triumph over their patriarchal influences There is another similarity between Bertha Mason and the narrator of our tale: This may be an identification with animal behavior or a way to explain that both characters have lost touch with civilization or the patriarchy.
Is she truly an unreliable narrator, sinking steadily into irretrievable madness? Or is she exhibiting the only sane response to an insane world order? Does she find doom in her madness?
Or triumph and freedom at last?pretation, and textuality, 'The Yellow Wallpaper" quickly assumed a place of privilege among rediscovered feminist works, raising basic questions about writing and reading as gendered practices.
The Yellow Wallpaper is a feminist text, telling a story about a woman’s struggles against male-centric thinking and societal ‘norms’. The text may be ambiguous to the reader who is unfamiliar with Gilman’s politics and personal biography, yet, it impresses any reader with the puerile treatment of the main character, who remains nameless in the text.
- Feminist Aspects of The Yellow Wallpaper The Yellow Wallpaper by Charlotte Perkins Gilman can by read in many different ways.
Some think of it as a tragic horror story while others may find it to be a tale of a woman trying to find her identity in a male-dominated society. Charlotte Perkins Gilman had no way of knowing that a story she wrote in would one day be regarded as a classic in feminist literature.
The gothic tale of “The Yellow Wallpaper” has become just that, although it took nearly a century to find a truly understanding audience. - The Yellow Wallpaper: The View from the Inside "The Yellow Wallpaper", written by Charlotte Perkins Gilman, is a story of a woman, her psychological difficulties and her husband's so called therapeutic treatment of her aliments during the late s.
This paper shows my skills in looking at a text from a particular point of view, feminism, and finding evidence in the text that supports that point of view.
“The Yellow Wallpaper” by Charlotte Perkins Gilman is the story of an unnamed female narrator and her slide into psychosis. The narrator and her physician.